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4 changes: 2 additions & 2 deletions content/posts/10100000001.md
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date: '2003-03-21T19:39:17+08:00'
description: 源自:未知 | 版权:转载 | 平均/总评分:10.00/40
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title: 古筝
---

![古筝](https://images.soomal.cc/images/doc/20090414/00000065.webp)
![古筝](https://images.soomal.cc/doc/20090414/00000065.webp)

筝是我国最古老的弹拨乐器之一。至今已有两千多年的历史。它既善于表现优美抒情的曲调,又能够抒发气势磅礴的乐章。古人曾用“弹筝奋逸响,新声妙入神”、“坐客满筵都不语,一行哀雁十三声”的生动诗句,描绘了筝的演奏艺术达到令人神弛的境地。

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date: '2003-03-21T19:40:26+08:00'
description: 源自:未明 | 版权:转载 | 平均/总评分:00.00/0
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title: 古琴
---

![古琴](https://images.soomal.cc/images/doc/20090414/00000064.webp)
![古琴](https://images.soomal.cc/doc/20090414/00000064.webp)

中国音乐纵有三千年以上的历史,但实际上从远古至唐末,直接的声音材料(乐谱)极为贫乏。所以研究古代中国音乐史只能从一些间接的资料(如文献、乐器、雕刻、绘画等)入手。古琴是中国乐器中保留有较多声响资料的乐器之一,所以欲了解中国古代及传统的音乐风貌,古琴实在是一不容忽视的音乐宝库。源远流长的古琴音乐已建立起自己一套完整的美学、乐律、记谱法、弹奏法、指法等等体系,故历来有琴道或琴学之称。本文将古琴艺术此种种不同体系作一概括性的介绍:

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date: '2003-03-21T19:46:18+08:00'
description: 源自:www.cmii.com.cn | 版权:转载 | 平均/总评分:09.57/67
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title: 古琴漫话 精湛的技艺 众多的琴家
---

![古琴](https://images.soomal.cc/images/doc/20090414/00000064.webp)
![古琴](https://images.soomal.cc/doc/20090414/00000064.webp)

我国制琴的历史极为悠久,《广博物志》记述:“列子尝游泰山,见霹雳伤柱,因以制琴,有大声。”这是最早应用霹雳木制琴的记载。蔡邕的焦尾琴传至六朝齐明帝时还在使用,后世并出现不少仿制精品。晋代顾恺之的《登偻肌罚保存了古代制琴的珍贵资料。经过南北朝和隋代的不断丰富,唐代的制琴技术达到了很高的水平。当时制琴家层出不穷、人才济济,仅四川雷氏家族就有雷霄、雷威、雷珏、雷迅、雷文、雷盛、雷俨、雷绍、雷震、雷焕、雷会等,还有张越、郭谅、沈镣、冯昭、李勉等名家,他们的作品达到了完美的境地,给后世留下大批优质古琴。如雷霄的“九霄环佩”,雷威的“鹤鸣秋月”,以及“轻雷”、“大圣遗音”、“枯木龙吟”、“飞泉”等珍品。在东京博物馆珍藏的一张称为“漆琴”(亦名雷琴)的古琴,上面铭有“开元十二年”(724年)“岁在甲子五月五日于九龙县造”,也是出于蜀地九龙县造琴名家雷氏之手。

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date: '2003-03-22T00:27:59+08:00'
description: 葫芦丝 | 源自:www.chinamedley.com | 版权:转载 | 平均/总评分:10.00/20
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title: 葫芦丝
---

![葫芦丝](https://images.soomal.cc/images/doc/20090414/00000063.webp)
![葫芦丝](https://images.soomal.cc/doc/20090414/00000063.webp)

葫芦丝是簧管乐器,常用于吹奏山歌等民间曲调,适于演奏旋律流畅的乐曲或舞曲,主要流行于傣、阿昌、佤、德昂和布朗等族聚居的云南德宏、临沧地区。

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date: '2003-03-22T00:35:01+08:00'
description: 巴乌 | 源自:www.itjoy.com | 版权:转载 | 平均/总评分:10.00/10
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title: 巴乌
---

![巴乌](https://images.soomal.cc/images/doc/20090414/00000062.webp)
![巴乌](https://images.soomal.cc/doc/20090414/00000062.webp)

在我国许多少数民族民间,都有以物代言,以歌传情的传统,因此某些物件及音乐,差不多成了一些民族的第二语言,其中用民族乐器演奏的音乐旋律,就是一种最常见的表达方式,而在所有使用的乐器中唯有巴乌,无论在音色上,还是在感情的表达上,都能表露出它独具一格的丰采,因此有人称巴乌为「会说话的乐器」。

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date: '2003-03-22T00:42:48+08:00'
description: 源自:www.chinamedley.com | 版权:转载 | 平均/总评分:09.60/48
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title: 二胡 历史、结构及种类
---

![二胡](https://images.soomal.cc/images/doc/20090414/00000061.webp)
![二胡](https://images.soomal.cc/doc/20090414/00000061.webp)

二胡的历史

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date: '2003-03-22T00:56:16+08:00'
description: 高胡 | 源自:www.chinamedley.com | 版权:转载 | 平均/总评分:08.00/48
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title: 高胡 历史和结构
---

![高胡](https://images.soomal.cc/images/doc/20090414/00000060.webp)
![高胡](https://images.soomal.cc/doc/20090414/00000060.webp)

高胡的历史

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date: '2003-03-22T01:07:25+08:00'
description: 箫 | 源自:www.chinamedley.com | 版权:转载 | 平均/总评分:10.00/10
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title: 箫
---

![箫](https://images.soomal.cc/images/doc/20090414/00000059.webp)
![箫](https://images.soomal.cc/doc/20090414/00000059.webp)

箫源于远古时期的骨哨,历史上亦称为笛,唐以后方专指竖吹之笛。

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date: '2003-03-22T01:11:50+08:00'
description: 尺八 | 源自:www.chinamedley.com | 版权:转载 | 平均/总评分:10.00/10
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title: 尺八
---

![尺八](https://images.soomal.cc/images/doc/20090414/00000058.webp)
![尺八](https://images.soomal.cc/doc/20090414/00000058.webp)

尺八是我国古老的吹奏乐器,源于竖a,竹制,长一尺八寸,在隋唐颇为盛行,自宋代后渐少使用。

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date: '2003-03-22T01:15:22+08:00'
description: 笛 | 源自:www.chinamedley.com | 版权:转载 | 平均/总评分:10.00/10
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title: 笛
---

![笛子](https://images.soomal.cc/images/doc/20090414/00000057.webp)
![笛子](https://images.soomal.cc/doc/20090414/00000057.webp)

笛是中国最古老的乐器之一。

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date: '2003-03-22T01:18:50+08:00'
description: 唢呐 | 源自:www.chinamedley.com | 版权:转载 | 平均/总评分:07.00/21
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title: 唢呐
---

![唢呐](https://images.soomal.cc/images/doc/20090414/00000056.webp)
![唢呐](https://images.soomal.cc/doc/20090414/00000056.webp)

唢呐:俗称“喇叭”。在我国各地广泛流传的民间乐器。发音高亢、嘹亮,过去多在民间的吹歌会、秧歌会、鼓乐班和地方曲艺、戏曲的伴奏中应用。经过不断发展,丰富了演奏技巧,提高了表现力,已成为一件具有特色的独奏乐器,并用于民族乐队合奏或戏曲、歌舞伴奏。

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date: '2003-03-22T01:26:18+08:00'
description: 源自:未明 | 版权:转载 | 平均/总评分:00.00/0
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title: 小提琴 Violin
---

![小提琴](https://images.soomal.cc/images/doc/20090414/00000055.webp)
![小提琴](https://images.soomal.cc/doc/20090414/00000055.webp)

提琴种类很多,小提琴是其中一种,属弓弦乐器。它的发明有着一段美丽的传说。两千多年前的古埃及,有一个名叫美尔古里的着乐家。一年夏天的早晨,美尔古里沿着尼罗河悠闲地散步,无意之中脚下踢到了一个什么东西,发出一阵悦耳动听的声音,他俯下身子拾起来一看,原来是一只乌龟,美尔古里感到很奇怪,乌龟怎能发出像乐器一样的声音呢?他带着好奇的心理,将乌龟带回家去,仔细研究了一下,发现乌龟发出悦耳的声音,是由于壳内的空气受震动后产生的。于是,他根据乌龟壳受震动而发音的原理,并仿照乌龟壳的外形制造了世界上第一把小提琴。美尔古里将它命名为“列里”。到了11世纪,人们经过改制,将“列里”更名为“微奥里”,还在按手指的地方设有音阶格子。真正小提琴的制作,是从16~18世纪的意大利开始的。那时正是欧洲文艺复兴时期,音乐在意大利也出现了空前的繁荣,这一形势有力地促进了小提琴制造业的发展。当时最杰出的制琴师玛基尼等人,选用阿尔卑斯山纹理细腻均匀的云杉木加工后制成的小提琴,质地很轻,发音浑厚圆润。制琴师把早期的“徽奥里”上的音价格子除去,在光本头上装上四条弦,这样就制成了现代小提琴的形式。此后,世界各国的提琴制作匠们均仿照意大利的小提琴进行制作。

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date: '2003-03-22T22:38:10+08:00'
description: 三胡 | 源自:www.chinamedley.com | 版权:转载 | 平均/总评分:10.00/20
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title: 三胡
---

![四胡、三胡和二胡](https://images.soomal.cc/images/doc/20090414/00000054.webp)
![四胡、三胡和二胡](https://images.soomal.cc/doc/20090414/00000054.webp)

三胡是20世纪70年代在二胡上加低音弦制成,

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date: '2003-03-22T22:40:01+08:00'
description: 中胡 | 源自:www.chinamedley.com | 版权:转载 | 平均/总评分:05.00/5
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title: 中胡
---

![中胡](https://images.soomal.cc/images/doc/20090414/00000053.webp)
![中胡](https://images.soomal.cc/doc/20090414/00000053.webp)

中胡由二胡改革而成,琴杆比二胡的长,琴弦比二胡弦粗。

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date: '2003-03-22T22:41:36+08:00'
description: 革胡 | 源自:www.chinamedley.com | 版权:转载 | 平均/总评分:08.00/32
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title: 革胡
---

![革胡](https://images.soomal.cc/images/doc/20090414/00000052.webp)
![革胡](https://images.soomal.cc/doc/20090414/00000052.webp)

革胡:一种音量较大、音域较宽的低音拉弦乐器。五十年代上海音乐学院杨雨森(1926~1980)在二胡的基础上吸取其他拉弦乐器的特点创制而成,故此称为革胡。以后又经过不断改进,如今已成为具有丰富表现力的低音拉弦乐器。

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date: '2003-03-22T22:43:41+08:00'
description: 低胡 | 源自:www.chinamedley.com | 版权:转载 | 平均/总评分:10.00/20
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title: 低胡
---

![低胡](https://images.soomal.cc/images/doc/20090414/00000051.webp)
![低胡](https://images.soomal.cc/doc/20090414/00000051.webp)

低胡构造与二胡相同,但比中胡要大,发音要低,是民乐队中的低音乐器。

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date: '2003-03-22T22:46:58+08:00'
description: 京二胡 | 源自:www.chinamedley.com | 版权:转载 | 平均/总评分:10.00/20
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title: 京二胡
---

![京二胡](https://images.soomal.cc/images/doc/20090414/00000050.webp)
![京二胡](https://images.soomal.cc/doc/20090414/00000050.webp)

京二胡是在二胡的基础上发展而来,20世纪20年代末由王少卿和洪广元研制,是京剧的中音伴奏乐器。

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date: '2003-03-22T22:50:21+08:00'
description: 板胡 | 源自:www.chinamedley.com | 版权:转载 | 平均/总评分:10.00/20
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title: 板胡
---

![板胡](https://images.soomal.cc/images/doc/20090414/00000049.webp)
![板胡](https://images.soomal.cc/doc/20090414/00000049.webp)

板胡:又称“梆胡”、“秦胡”、“胡呼”、“大弦”和“瓢”。是梆子腔、乱弹腔各剧种的主要伴奏乐器,音色明亮、高亢,常用于独奏、合奏,也用于曲艺伴奏,如兰州鼓子、道情。

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date: '2003-03-22T22:53:45+08:00'
description: 椰胡 | 大筒 | 潮胡 | 源自:www.chinamedley.com | 版权:转载 | 平均/总评分:05.50/11
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title: 椰胡、潮胡和大筒
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![椰胡](https://images.soomal.cc/images/doc/20090414/00000048.webp)
![椰胡](https://images.soomal.cc/doc/20090414/00000048.webp)

椰胡:又称“潮提”。潮州音乐中称“酉摇薄A餍杏诠愣地区,是广东戏曲、曲艺的伴奏乐器。

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date: '2003-03-22T22:58:49+08:00'
description: 瑟 | 源自:www.chinamedley.com | 版权:转载 | 平均/总评分:10.00/10
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![瑟](https://images.soomal.cc/images/doc/20090414/00000047.webp)
![瑟](https://images.soomal.cc/doc/20090414/00000047.webp)



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date: '2003-03-22T23:12:24+08:00'
description: 马头琴 | 源自:www.chinamedley.com | 版权:转载 | 平均/总评分:10.00/20
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title: 马头琴
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![马头琴](https://images.soomal.cc/images/doc/20090414/00000046.webp)
![马头琴](https://images.soomal.cc/doc/20090414/00000046.webp)

马头琴:蒙古族拉弦乐器,因琴头雕有马头而得名。历史久远,源于奚琴,公元十三世纪初便在蒙古族中广泛流传。元初意大利旅行家马可・波罗(1254~1324)曾于1275年5月到达上都(今内蒙古多伦县西北),仕元十七年他回国时,把马头琴带到欧洲,对西洋拉弦乐器的发展起了很大促进作用。马头琴独奏乐器,也可用于器乐合奏和为说唱、民歌、舞蹈伴奏或参加民族乐队演奏。

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date: '2003-03-22T23:22:17+08:00'
description: 东不拉 | 冬不拉 | 源自:www.chinamedley.com | 版权:转载 | 平均/总评分:09.75/39
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title: 东不拉
---

![东不拉](https://images.soomal.cc/images/doc/20090414/00000045.webp)
![东不拉](https://images.soomal.cc/doc/20090414/00000045.webp)

东不拉:即“冬不拉”,哈萨克族古老的弹弦乐器。历史悠久,制作简易,音色柔美,富有浓郁的草原风味,在哈萨克族地区广泛流传,是民间歌手常用的伴奏乐器。经过改革,品种齐全、自成体系,除可独奏或为弹唱、歌舞伴奏外,并能组成东不拉乐队,演奏多声部乐曲,有丰富的表现力。

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