As a piezo element acts like a capacitor in an electronic circuit, a typical recording setup acts like a highpass filter with the cutoff frequency determined by the capacitance of the piezo element and the resistance of the input. The formula for the cutoff frequency (
where
To counteract the filtering of low frequency content while recording with piezo elements, it is required to match the input resistance to the capacitance of the piezo. Having a large enough input resistance, the cutoff frequency is lowered until irrelevant for the individual setup. A input impedance of
which is below human hearing threshold. To match the input impedance to the load of the piezo a pre-amplifying circuit is needed.
| Circuit Schematic by Richard Mudhar. See here | Self-built Circuit |
|---|---|
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The input signal is connected on the left mini-jack (connected to the yellow wire). The output signal is connected on the right mini-jack. Power is connected through the blue terminal block, according to the polarity signs written on the terminal block. (Only 2 of 3 inputs are used).
Connect the piezo element(-s) to a stereo aux cable (TRS) and the cable to the input of the circuit. Be aware of the following chapter while connecting the piezos. Connect a stereo aux cable from the output of the circuit to any type of stereo line-level input of your device or split the stereo signal into two mono line-level inputs.
The circuit is built with a comparison between impedance-matched and not impedance-matched signals in mind. Therefore it accepts a stereo signal, where the left input of the signal is routed directly to the output and therefore not amplified, while the right signal goes through the circuit and is therefore amplified. Be aware to use a stereo (TRS) cable and connect the piezo to the right channel (Ring) for the impedance matched input. In hindsight it would have been smarter to have the left input connected to the circuit and the right input as throughput, so mono cables (TS) would also work, but that will probably be changed in the future.
| Absolute dB Reference | Relative dB Reference (individual normalization) | |
|---|---|---|
| Not impedance matched | ![]() |
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| impedance matched | ![]() |
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The measurements where done with piezo elements with about
The signal source comes from manual mechanical excitement of the piezo elements by hitting a wodden plate, with the piezos mounted on.
It is clearly visible how the impedance matched input delivers far more overall signal-strength than without impedance matching, which is probably based on the amplifying function of the impedance matching circuit. This ultimately results in a better signal-to-noise ratio for the impedance-matched signal, as analog amplification only amplifies the signal while digital amplification everything that the input picks up.
However due to the high impedance of the circuit, the piezo element and especially the cabling from the piezo element to the amplification circuit is very susceptible to electromagnetic fields and basically acts as an antenna. This can be seen in the spectrogram at the
It is really odd, that there is only a slight increase in lower frequency content with the impedance matched input. The absolute values show a significant difference in strength between the matched and non-matched signal, but looking at the right column, which shows the normalized signals, a visible decrease in lower frequency content for the not impedance matched signal is expected. A slight decrease can only be seen at around
Using multiple piezo-elements as one sensor runs the risk of interference. This is due to the different traveling times of the mechanical force in the specific medium. The travel time of the force is probably a characteristic of the specific material used as the surface for the piezos. Using multiple piezos therefore makes it more challenging regarding exact on-set detection.
If all piezos are connected in parrallel to the input, the detected signal resembles the sum of the individual piezos. This sum is susceptible to interference. If for example two piezos are placed in such a way, that the latency between the piezos (determined by the distance between them relative to the point of excitement) is exactly half the duration of the period of the frequency of the excitement, the individual piezos detect the signal exactly half a phase apart. Summing them at the input then results in massive phase cancelation and no reliable detection of the specific frequency. Therefore it exists a relationship between the placements of the piezos, the material of the surface and the frequencies that get canceled or amplified by the phase interference. To test this, following measurements where made.
To measure an examplatory latency as a proof-of-theory 4 piezos labeled C1* to C4 and one Exciter labeled E1 were placed on a wooden board. The piezos are roughly arranged to resemble the following 5 cm grid:
| C1 | C4 | |
|---|---|---|
| C2 | C3 | |
| E1 |
To test the latency, the exciter played Impulses spaced 1 second apart. Each piezo was recorded as a seperate audio channel to mitigate any interference between the piezo signals. The following image shows the latency between the individual channels. The top-most waveform resembles the recording of C1 and then continuing down so that the lowest resemembles C4.
The Image shows that C2 is the first piezo to detect the Impulse, followed by C3, C4 and almost at the same timeC1. This order proofs that the latency is dependent on the distance of the piezos to the exciter as C2 is closest to E1 and C1 furthest apart. The recordings were done at a Samplerate of
More importantly to consider is the characteristic of each waveform. As shown in the figure above, the waveform looks quite differently between the individual channels. This is probably due to force reflections inside of the wooden plate. For example C2 and C3 start with a small dip before the on-set rise of the signal while C1 and C4 behave almost exactly opposite, starting with a small rise before a big dip. It almost looks like the piezos C1 and C4 were differently polarized to C2 and C3 which should not have been the case.
This figure includes the digital sum of the 4 piezo channels, which should approximately resemble the analog sum, if the piezos would have been connected in parallel at one input. The summed signal clearly has its one unique waveform compared to the individual piezos.
The latency of
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